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The catalog

Every recipe, and what it makes.

Each one carries the whole prompt and asks only for what it needs. Press it, answer a question or two, and it makes the rest.

Styles

Every style a recipe can be made of.

A style is what a picture is made OF — the film, the lens, the drawing. Any recipe that asks for one offers these, and the studio layers one over anything you write.

Photographic5 styles

  • Wet-Plate TintypeRendered as a 19th-century wet-plate collodion tintype on a blackened iron plate, luminous hand-poured silver monochrome with an orthochromatic tonal response where reds and warm skin turn dark and blues glow pale, lit by soft directional north-window skylight with bright catchlights, shot through a period brass portrait lens giving shallow hand-focused depth and gentle swirling edge bokeh, glass-plate imperfections, swirling chemical streaks and pour marks along the edges, dust, hairline scratches and a faint collodion sheen, deep vignette, soft antique glow and a solemn timeless long-exposure stillnessUsed once
  • Night FlashLit by one bare compact-camera flash set a few centimetres off the lens and fired point-blank into the dark from a metre or two back, the camera held one-handed at chest height so the lens falls below eye line, verticals leaning inward at the top and the ground crowding the bottom of the frame as the nearest surface to the lens, burning hottest; near surfaces blow to paper white, a hard dark outline hugging the silhouette rather than a shape thrown on the wall; falloff is violent, two metres back the scene collapsing to near-black, a few small warm pools of streetlight surviving; unlit corners going teal-green on split white balance; wide snapshot lens, deep focus; tilted, off-centre.
  • Pushed Monochrome ReportageRendered as a high-contrast black-and-white analog reportage photograph, 35mm rangefinder look with a fast prime lens, shot on pushed high-speed monochrome film around ISO 1600, coarse pronounced silver-halide grain, deep inky blacks and luminous glowing highlights, dramatic available-light chiaroscuro, sharp perfectly-timed candid framing, rich tonal gradation and gritty street texture, faint natural motion blur, timeless photojournalistic documentary mood, strictly monochrome, 3:2 reportage composition
  • Golden-Hour Backlitcaptured as a candid photograph on a fast 35mm f/1.4 prime, shot on warm color-negative film, low golden-hour sun used as backlight with soft anamorphic lens flare and a glowing rim of light around the subject, floating dust motes catching the sun, shallow depth of field with creamy bokeh, warm amber-honey color grade, gentle atmospheric haze and lifted milky shadows, fine natural film grain, candid unposed composition with subtle motion blur suggesting movement, spontaneous reportage mood, 3:2 documentary framing
  • Warm Editorial Film PortraitRendered as a soft editorial fashion portrait on a medium-format body with an 85mm f/1.8 lens, shot on warm color-negative film, gentle north-facing window light diffused through a large scrim, creamy shallow depth of field with soft bokeh, flattering warm skin-tone rendering with rosy midtones, muted pastel color palette, matte lifted blacks, fine organic film grain, natural unretouched texture, soft highlight roll-off, understated finishing, calm intimate mood, refined magazine framing

Cinematic5 styles

  • Backlit Sunset GlowRendered as an emotional cinematic product still backlit by a warm low sunset, glowing golden rim light wrapping the subject with soft anamorphic lens flares and blooming highlights, luminous translucency where light passes through the material, long elegant shadows stretching toward camera across a minimal warm-toned surface, dreamy amber-honey color grade, gentle atmospheric haze and floating dust catching the light, soft shallow depth of field, refined negative space, tender aspirational luxury mood, cinematic framing
  • Candlelit Dark AcademiaRendered as a candlelit Old-Master chiaroscuro tableau, dramatic tenebrism with a single warm light source and deep enveloping shadows, low-key cinematic lighting sculpting form against near-black negative space, rich oxblood, walnut and antique-gold palette, muted desaturated highlights, dust motes drifting through a shaft of amber light, warm aged patina and weathered surface texture, painterly brushwork with soft film grain and gentle vignetting, shallow depth of field, scholarly gothic-romantic mood, contemplative and timeless
  • Neo-Noir Chiaroscurorendered as a moody neo-noir cinematic still — hard low-key single-source lighting carving deep chiaroscuro, desaturated palette of charcoal, cold steel-blue and sickly sodium-amber, crushed inky blacks lifted only by a single warm practical glow, high contrast, shallow 40mm depth of field, subtle halation around highlights, fine silver grain, anamorphic tension, tense midnight noir mood
  • Tokyo Arthouse FrameCaptured as a still frame from a contemporary Japanese art-house film, live-action realism with a quiet anime-adjacent sensibility, anamorphic widescreen framing with soft oval bokeh and subtle lens breathing, shot on vintage cinema primes at a shallow T2 aperture, warm low-angle daylight raking through drifting haze and paper screens, teal-and-amber color grade with lifted milky blacks and gentle halation blooming on highlights, fine 35mm film grain, delicate chromatic aberration at the frame edges, restrained melancholic mood, photorealistic skin tones and fabric texture, generous cinematic negative space
  • Anamorphic BlockbusterShot on a large-format cinema camera with vintage anamorphic primes and graded like a modern big-budget action epic — warm amber key light against deep teal-cyan shadows, glossy high-dynamic-range contrast, horizontal blue anamorphic lens flares streaking across the frame, gentle bloom on highlights, shallow depth with oval bokeh, atmospheric haze and soft volumetric god-rays, fine 35mm film grain, crisp micro-detail, epic 2.39:1 widescreen framing, polished teal-and-orange color grade, heroic cinematic mood

3D4 styles

  • Claymation DioramaRendered as handmade stop-motion claymation, sculpted from soft plasticine with visible fingerprint and thumbprint dents, slightly lopsided hand-shaped forms, matte modeling-clay finish with a faint sheen where fingers smoothed it, tiny seams and sculpting-tool marks, chunky rounded proportions, staged in a built tabletop miniature set with sculpted clay props and foliage, warm tungsten key light and soft fill, gentle grounded shadows, shallow macro depth of field, cozy handcrafted imperfection, muted candy palette, fine film grainUsed 3 times
  • Sleek CGI Product Renderrendered as a pristine CGI product visualization, physically-based materials with precisely tuned matte and glossy finishes, immaculate manufactured surfaces with crisp bevels and true-to-spec geometry, soft studio HDRI global illumination with a clean key, razor-sharp controlled speculars and subtle edge rim light, flawless reflections, calibrated brand color accuracy, high dynamic range, spotless path-traced polish, sleek modern tech-commercial mood, centered hero framing
  • Isometric Miniature DioramaRendered as an isometric miniature diorama, a tiny tilt-shift model world with cute stylized low-poly proportions and clean rounded geometry, smooth matte clay-render surfaces, a pastel candy color palette, physically-based rendering with gentle ambient occlusion and soft neutral global illumination, warm miniature practical lights glowing from inside little windows, the scene displayed on a small rounded base under an implied glass dome, crisp 45-degree isometric camera angle, shallow tilt-shift macro focus with a softly blurred foreground and background, adorable tabletop scale, pristine polished finish with soft contact shadows and a subtle cool rim light
  • Glossy Feature-CG HeroRendered as glossy feature-film CG animation, appealing rounded character design with soft exaggerated proportions and large expressive eyes, believable subsurface scattering with warm translucency glowing through thin edges, soft cinematic global illumination from a gentle key-plus-fill studio setup, shallow depth of field, richly detailed micro-textures — woven fabric, soft fuzz and individual strands of hair, buttery rounded specular highlights, warm saturated storybook color grade, pristine path-traced render, high dynamic range, polished animated-feature sheen and squeaky-clean surfaces

Illustrated4 styles

  • Four-Color Pulp ComicRendered in bold vintage newsstand comic-book style, heavy black ink outlines with confident varying brush-weight linework, dramatic cross-hatching and rich spot blacks, halftone dot shading in the classic four-color print manner, limited flat primary palette of punchy red, blue, and yellow, slight off-register color like old pulp printing, visible paper tooth and print grain, dynamic action-panel energy, bold cel-style separation between light and shadow, four-color offset print texture, saturated pop-comic moodUsed once
  • Two-Color Stencil PrintRendered as a two-color soy-ink stencil duplicator print, bold layered passes of fluorescent pink and electric blue, coarse halftone dot patterns, deliberate misregistration between the two color layers, grainy ink absorption soaking into uncoated recycled paper, overprint zones where the inks overlap into a glowing third hue, textured stippled and cross-hatched shading, flat poster-like shapes with a limited palette, visible paper fiber, speckled ink noise and faint roller streaks, handmade zine imperfection, retro screen-print charm
  • Flat Vector EditorialRendered as modern flat-vector editorial illustration, clean geometric shapes with smooth rounded corners, bold flat color fills with no gradients and no realistic shading, subtle two-tone offset shape shadows for gentle layered depth, even ambient lighting, thin consistent outlines or outline-free forms, simplified friendly iconographic shapes, generous negative space, cheerful contemporary palette of soft teal, warm coral and mustard yellow over a soft off-white ground, crisp precise vector edges, faint uniform grain overlay for warmth, balanced minimal editorial composition, polished contemporary brand-illustration aesthetic
  • Storybook WatercolorRendered as a cozy hand-painted children's storybook illustration, layered watercolor washes and matte gouache over a soft graphite under-drawing, gentle rounded shapes and tender character design, pastel palette of warm ochre, sap green, and dusty rose, luminous wet-on-wet color bleeds, delicate pigment granulation on textured cold-press paper, tender diffused daylight with a soft rim glow, subtle vignette, loose painterly edges and visible brush strokes, whimsical nostalgic warmth, tender picture-book mood

Anime5 styles

  • Modern Shonen CelRendered as crisp modern shonen anime, clean bold ink outlines of varied weight, flat two-tone cel shading with sharp hard-edged shadow blocks, high-saturation color fields, glossy chunk highlights on hair and eyes, dramatic rim lighting and lens flare, dynamic low-angle composition with speed lines and motion energy, vivid blue-orange contrast grade, sharp digital finish, high-detail key-visual polish, energetic action-anime moodUsed once
  • Neon Night Anime Celrendered as moody nocturnal anime cel art, flat cel shading against deep shadow, saturated neon rim lighting in cyan and magenta, high-contrast noir grade with crushed blacks, cinematic anamorphic framing with subtle lens flare and bloom, fine film grain, atmospheric haze and drifting light particles, clean ink contours, brooding late-night city-glow mood, retro-futuristic anime-film-opening look
  • Ukiyo-e WoodblockRendered as a traditional Japanese ukiyo-e woodblock print, bold iron-wire outlines, flat unblended color planes in a restrained nishiki-e palette of indigo, vermilion, ochre and moss, deliberate negative space, hand-pulled woodgrain texture and paper-fibre tooth beneath the color, slight registration offset between color blocks, gentle bokashi color gradation, decorative flowing linework and patterned surface detailing, matte natural-pigment finish, elegant flattened perspective, no photographic depth or lens blur
  • Manga Screentone InkRendered as black-and-white manga artwork, crisp confident ink linework with varied nib weight, halftone screentone shading in evenly spaced 60-line dots at a 45-degree angle, layered cross-hatching and dynamic speed-line textures, deep solid-black spotting for drama, sharp white highlights, high-contrast graphic composition, bold diagonal panel energy, gritty printed-paper and matte-ink texture, strictly monochrome, expressive high-energy action-manga inking
  • Cozy Hand-Painted Pastoralrendered as lush hand-painted 2D anime, soft gouache-and-watercolor paintwork with visible painterly texture and dappled sunlight, rounded softly-simplified forms with gentle, warm character design, nostalgic afternoon light, warm golden highlights against cool green shadows, delicate visible brushwork, gentle film grain, soft hand-blended cel shading with feathered edges, wholesome slice-of-life mood, storybook composition