- Длина
- 30 с, один дубль
- Кадр
- 9:16, 720p
- Загружено
- Логотип, два голоса
- Стоимость
- 578
Бриф целиком
Восемь тысяч символов — вдвое больше предела. Он был написан до того, как мы упёрлись в лимит, и запускался там, где лимита нет; версия, которая работает здесь, — тот же фильм, сжатый, чтобы поместиться, а для этого и нужно правило сокращения выше.
[Generation Goal]
Generate a 30-second single-take live-action film, one continuous handheld take with no cuts. The central subject is Camille; the primary event is that she reads a document at 1am while an unseen woman questions her from behind the camera, until the camera arrives at her monitor and the document turns out to be the brief for this film.
[Materials]
[Image1] is the Kuro logo — a rounded dark tile holding a small mark of coloured dots, followed by a lowercase wordmark. It is a graphic asset, not a scene: never place it anywhere in the room and never show it before 21 seconds. From 21s it appears exactly once, reproduced faithfully, as the small logo on the chrome of the video player on her monitor, above the picture area at the left. Keep its shape, its colours and its spelling exactly.
[Audio1] is Camille's voice: French, adult female, low and close.
[Audio2] is the unseen woman's voice: Japanese, adult female, low and close.
[Character]
CAMILLE, a woman in her early thirties of mixed East Asian and European heritage. An oval face with high cheekbones, a straight nose, straight dark brows and dark brown eyes. Warm light-olive skin with visible pores, a light scatter of freckles across her nose and upper cheeks, and natural asymmetry; no makeup. Thick dark brown, almost black, slightly wavy hair worn up in a tortoiseshell claw clip, with loose strands escaping at her temples and the nape of her neck. Slim, average height. She wears an oversized oatmeal wool cardigan over a white t-shirt, sleeves pushed back over her wrists. She is tired and unperformed. She never looks at the camera and never smiles for it.
[Scene]
The working corner of a Paris apartment at one in the morning. A plain plaster wall behind her carries four or five small photographs pinned in a loose group. At the far left a tall window with an off-white curtain half drawn, rain running down the glass, a wrought-iron balcony rail and the blur of the street beyond. She sits at a plain wooden desk in a dark chair, facing a large monitor that stands at the right of frame with its screen turned toward her. A small warm desk lamp sits low behind her right shoulder. On the desk: a ceramic mug, a keyboard, a few loose papers, a notebook. A plant at the top right. Nothing else.
[Look]
Photoreal, 35mm, practical light only. The monitor is the key light and it is cold blue-white — it lights the left side of her face, her hands at the keyboard and the wall in front of her, and it is the brightest thing in the room. The small lamp behind her is the only warm source and reads as a small accent, giving a warm edge to her hair and shoulder. The ceiling light is off. The room reads cool overall with that one warm accent, the background about one and a half stops darker than she is. Real skin with visible pores, fine sensor noise in the darker wall, neutral white balance, low saturation, no teal-and-orange grade, no lens flare, no bloom. Footage of a real room at 1am, not a commercial.
[Camera]
One unbroken handheld take at standing height, a couple of metres from her, seeing her from her left in near profile with the monitor at the right of frame — slight drift, small reframes, brief focus hunting. From 3s it makes one slow continuous arc forward and to the right at 10-15 cm/s, never faster, arriving square-on to her monitor at 21s and holding there, breathing, to the end. It never turns toward the voice, never pans off her, and never stops moving until it arrives.
[Stage 1] 0-10 seconds
Initial state: Camille seen from her left in near profile, her face and hands lit cold by the screen, the lamp warm behind her. She is reading a document on the monitor — reading, not typing. Rain runs down the window at the far left.
Primary event: the camera begins its arc while she is questioned and never turns toward it.
At 2.5s the unseen woman says in Japanese: {まだ来ないの？} 【Are you coming to bed?】
At 5s she says in Japanese: {まだ書いてるの？} 【Still writing?】
At 6.5s Camille, without looking away from the screen, says in French: {Je lis.} 【I'm reading.】
She lifts her mug an inch without looking, finds it cold, sets it back down, then pulls her cuffs over her hands.
End state: the camera is closer and further round to her right, still moving; she is still reading; the mug is back in the same place.
[Stage 2] 10-21 seconds
Continue from Stage 1: same woman, same wardrobe, same room, same seated position, camera still arcing.
Primary event: the face of the monitor becomes visible for the first time and the document proves endless — a production brief of dense monospace blocks and bracketed lines, too far to read, its scrollbar a sliver. She flicks the scroll wheel three times; it barely moves.
At 10s the unseen woman says in Japanese: {何読んでるの？} 【Reading what?】
At 12s Camille says in French: {Le brief.} 【The brief.】
At 15s the unseen woman says in Japanese: {何のブリーフ？} 【The brief for what?】
She does not answer. Nobody speaks for four seconds. She clicks the mouse once.
End state: the camera is almost square to the monitor, close but not yet close enough to read it.
[Stage 3] 21-30 seconds
Continue from Stage 2: same woman, same wardrobe, same room, same seated position.
Primary event: at 21s the camera arrives square-on and the monitor fills the frame, sharp, showing a video player on a flat near-black interface with the [Image1] logo on its chrome above the picture area at the left. Inside the player is this same room and this same woman at this same desk, seen from where this film opened. She clicks again and the picture inside the player begins to move: the same slow drift, rain on the same window inside the frame.
At 23s the unseen woman says in Japanese, quieter: {…待って。それ、今？} 【…Wait. Is that now?】
End state: the monitor full-frame, the player playing, the camera still handheld and breathing. The take ends on motion, not on a cut and not on a black frame.
[Audio]
(No music before 21 seconds. One low sustained synth note enters under the arrival at 21 seconds and holds to the end. Nothing else.)
<steady rain falling on the window glass, close and clearly audible from the first frame to the last, the constant bed the whole film sits on; a fridge compressor in another room; a ceramic mug set down on wood; a chair castor rolling an inch; three scroll-wheel clicks; two single mouse clicks>
The rain is always present and always audible. It is never silenced, never faded under the dialogue and never replaced by music — the voices and the synth note sit on top of it, and between the spoken lines the rain is the loudest thing in the film.
Camille speaks only French, in the voice of [Audio1]. The unseen woman speaks only Japanese, in the voice of [Audio2], further away and off-axis, from a doorway behind the lens. Both unprocessed and quiet — it is 1am. Seven spoken lines only; nobody speaks over anybody.
Every on-screen subtitle is the English translation of the line spoken at that moment. The dialogue channel carries only French and Japanese; the subtitle channel carries only English.
[Maintain Consistency]
Camille is the same woman from the first frame to the last — the same face, the same freckles, the same claw clip and escaping strands, the same oatmeal cardigan over a white t-shirt. The room and every object in it stay exactly where they are. One person on screen; the unseen woman is never seen, never reflected and never lit, and the camera never turns toward her. The rain never stops or changes. The monitor stays the cold key light and the lamp stays the only warm accent. No cuts, dissolves, fades or black frame, including the last. No music before 21 seconds. Camille never looks at the camera and never smiles for it. No on-screen text other than the subtitles and the [Image1] logo. No English speech, and no French or Japanese subtitles.- Длина
- 15 с, один дубль
- Кадр
- 9:16, 720p
- Загружено
- Один первый кадр
- Стоимость
- 11 + 289
Первый кадр, сделанный заранее, с настоящим скриншотом в качестве референса.
Бриф целиком
Style: 2D anime, hand-drawn cel animation matching the first frame exactly — clean line art, flat colour, soft cel shading, painted background. Not photoreal, not 3D, no live action.
Camera: locked off at her eye level. It never moves — no pan, tilt, zoom or cut — only a slight breathe, for all 15 seconds.
Subject: the animated character in the first frame, identical throughout — face, hair and sweatshirt never drift or re-roll. She speaks warm and quick, like someone showing a friend something good, never like an advert.
Screen: she holds a black phone in her right hand in the left third of frame, flat to the viewer, bright and sharp. Its page is frozen exactly as in the first frame and stays legible — it never scrolls, changes, dims or reflects.
0.0-2.5s She tips her head toward the phone, raises her eyebrows and grins at the viewer. She says, "Okay, you have to see this."
2.5-5.0s She turns the phone a few degrees and back, flat again, and nods once. She says, "It's called Kuro."
5.0-7.5s She lifts her left hand into frame and points up at the screen. She says, "You describe it, and it makes the picture."
7.5-10.0s Her hand drops away and she brings the phone closer, still flat. She says, "Then it turns that picture into a clip."
10.0-12.5s She flicks three fingers up, counting them off. She says, "Clips, music, whole videos. One app."
12.5-15.0s She pushes the phone closer, taps it twice with her thumb and laughs. She says, "Free to start. That's the site right there."
Audio: her voice only, close and clear in a small room, natural breaths, a short laugh at the end. Two soft thumb taps on glass. No music, no second voice.
Avoid: music, narrator, a second character, captions, subtitles, on-screen text, watermark or logo, any cut or scene change, screen reflections, scrolling or changing the page, any change of room, clothing or light, slow motion, any shift toward photorealism, and any drifting of her face or hair.- Длина
- 30 с, 16 склеек
- Кадр
- 16:9, 720p
- Загружено
- Один лист персонажа
- Стоимость
- 11 + 578
Единственный референс — по промпту из семи слов.
Оба брифа целиком
Лист персонажа получен по первому из них, через рецепт Character Sheet. Фильм — по второму, с этим листом в качестве единственного референса; бриф приведён дословно, включая опечатку на 0–4 с.
LANI - a cute surfer girl in bikini0–4s — Quiet hook
Extreme close-up of Lani's eye. Ocean reflected in it. Wind moves loose
strands of hair. She hears a wave building and turns. We her from behind,
focusing on her bottom.
Cut wide: she's standing on the beach with the pink board under her arm.
Almost no dialogue.
4–9s — Preparation montage
Quick, beautiful anime cuts:
fingers tightening the board leash / bracelets moving on her wrist / bare
feet stepping into wet sand / hand brushing hair away from her face / pink
board hitting the water
This establishes all her recognizable details naturally.
9–14s — Paddle out
Camera from water level as she paddles toward an incoming swell.
Then underwater shot: her silhouette and pink board passing above, sunlight
breaking through the surface. Music starts building here.
14–18s — The wave arrives
She looks over her shoulder. Huge turquoise wall forming behind her.
Close-up: tiny confident smile. She turns and paddles hard.
18–25s — PAYOFF
She catches it. Fast sequence: low angle alongside the board / water
spraying across frame / aerial shot of her carving / close-up of her face /
camera goes inside the barrel / she appears through the translucent wave
This is where you spend most of the animation quality.
25–28s — Signature shot
Camera inside the wave, looking outward. Lani passes through the barrel with
sunlight behind her, hair and necklace moving naturally. For maybe half a
second she looks toward camera. Not posing — just part of the motion.
28–30s — Ending
She exits the wave. Cut to very wide shot. Tiny Lani gliding across a huge
ocean as the music drops out and you only hear water. Then cut to black.